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Statue street Jodenstraat


Marokko (Sjraar van den Akker) – Hay Mansvelders

Anton Gerard van de Akker (1887-1954), as his full name was, was the son of a pedlar who moved to Belgium at an early age. Years later, he signed up for the French Foreign Legion and ended up in Morocco. Little is known about his life there, except that Van den Akker was sentenced to two years forced labour and contracted tropical syndrome in the burning sun. In 1927, he returned to Venlo, married Maria Catherina Agnes Repping, nicknamed Mie de Koekoek, and went to live with her in the working-class neighbourhood of ‘t Hetje. Later, after the death of his wife in 1938, he found shelter in the lodging house De Paraplu on Jodenstraat.

Van den Akker often roamed the streets with his stick as his inseparable companion. This stick was decorated with coins, medals and tokens. The tale tells that Van den Akker, when one day he could not pay his bill in a pub, sold it to the pub owner for 150 guilders and a round of drinks. The stick is now in the Limburgs Museum.

With his big appearance and piercing eyes, Van den Akker frightened many children. Especially when he shouted ‘Attaloef (nobody knew what that meant) or ‘Maroque’. This last exclamation gave him his nickname.

Morocco himself was afraid of ghosts. Therefore he hit his back with a stick and rubbed himself with spirit. At the end of his life, he was admitted to a home for the uncared-for elderly in Koningslust at the expense of the municipality, where he eventually died.


The artist: Hay Mansvelders

Hay Mansvelders (Venlo, 1935) is a self-taught artist. At a young age, he started working at the Beeldenfabriek St. Joseph, a manufacturer of religious sculptures. He became proficient in the craft and developed an extensive knowledge of classical imagery and its symbolism. He also took private lessons for several years from Limburg artists such as Sef Moonen and René Wong.

In the 1960s, Mansvelders was co-founder of the Venlo Free Academy, a centre for artistic training; as a (staff) teacher he focused mainly on the artistic development of young people. It was his main drive  to show young people the beautiful side of cultural self-expression.

“Culture has the abbilitiy to change people”, according to Mandvelders. And he still has that view: art should be available to everyone, no exceptions. After all, it was his own experience that creative expression leads to building up self-confidence.

In the 1980s, Mansvelders became director of the North Limburg Free Academy. When he had to spend more time in an office and meeting structure and had less and less time for his own work, he established himself as a ‘visual designer’, a name he came up with himself and which he has kept ever since. He did not see himself as an artist, ‘out of respect for the real thing’, he regularly stated.

Various of his sculptures can still be found in public spaces in his home town Venlo, such as Valuas and Guntrud, the founders of Venlo, near the Limburgs Museum and the Jocushaan near the town hall. The basis for Hays’s artistry is and remains his fascination for everything that grows and blooms; animals, plants and people. He developed his own visual language, recognisable by the balanced line between figuration and abstraction.


The Jodenstraat (the Jews’ street)

The Jodenstraat is located in one of the oldest parts of Venlo’s city centre. Traces from Roman times have been found here, dating back to the first century AD. According to the legend about the origins of Venlo, Valuas or Flujas, chieftain of the Bructeren, founded a castle called the Vrijburg near the Jodenstraat and Oude Markt in or around the year 96. The name of the street refers to the presence of Jews, who had already settled in Venlo in the 14th century.

For centuries, there used to be monastery on the corner of Jodenstraat and Heilige Geeststraat.

Unfortunately, you will  not find a lot  of the old buildings; the area was almost completely destroyed during the bombing raids at the end of 1944, which were intended to destroy Venlo’s city bridge in order to stop the Germans.

Only the Romer House from 1490 was saved and preserved. It is a patrician house built in the late Gothic style. Behind the Romerhuis and the present Jodenstraat (Jews’ Street) and in southern direction around the harbour area, there was a working-class neighbourhood called ‘t Hetje. Nowadays, this would be called a deprived area, with prostitution and much alcohol abuse. Many inhabitants of ‘t Hetje worked in the harbour. The neighbourhood consisted largely of slum dwellings and was therefore cleaned up just before the Second World War. The air raids at the end of 1944 did the rest.

One of the most famous shops in Venlo, Versierhoes van der Veer, is located in the Jodenstraat.


Morocco (r) and the ‘Schaele (means cross-eyed) van Aarts (Photo: Venlo Municipal Archive)